So whether you are a novice or a seasoned veteran, heed the words from another and protect your work by proudly displaying it in a SHOWOFF. It was enough to convince her to become a customer and purchase a SHOWOFF a week later. 160k Followers, 983 Following, 90 Posts - See Instagram photos and videos from Showoff (tropicshowoff). She was at the festival, saw the wind destroy everything around her, and found that a SHOWOFF Canopy wouldn’t fold to strong winds. Needless to say I bought my own Showoff a week later."Įrin Hanson’s experience carries more weight than anything we could say. While the artist's entire collection of pottery had been blown away and destroyed, his tent had outlasted all of our weakly popups. The next day, when a few of us artists struggled our bent and dusty gear out of our vans and set up again for Sunday, sans our tents, we saw that there was only one tent left standing from the day before, and that was a Showoff canopy. The worst wind storm I ever experienced was in Palm Springs, spring 2012: every single tree in the park was torn up by the roots (one tree falling on a van parked two feet away from me, where I was crouched trying to hide from all the blowing glass), trailers blew over, propanels did indeed fly through the air, and every single pop-up tent was destroyed. Every artist has their stories of canopies lifting twenty feet in the air, of human bodies being lifted off their feet, of propanels carousing through the air and landing in palm trees. ![]() The rain is the milder enemy, easily confronted with a vinyl tent (such as Trimline or Showoff) and vinyl sidewalls. This personal account from Erin Hanson as described on her website truly puts the protection offered by a Showoff into a greater perspective: "We protect our work the best we can with hundreds of pounds of weights, cross-braces, dog ties, rebar pounded three feet into the ground, sand bags, concrete-filled PVC pipe, ratchets and rope. You don’t have to be a doomsday prepper to ensure that your display tent-and hopefully your art-survives a bad storm. But it all can be washed away, in some cases quite literally, with a little bad weather. They can put up a magnificent display, with everything set oh-so-perfectly. They can triple check the to-do list and choose the quickest and most comfortable route. They can prepare their crowning masterpiece and curate their best collection. They can tweak the application to perfection. Can you list the main components of your studio?Ģx Prism Orpheus 32 channels, Focal SM9 monitor, Yamaha HS80M monitors, API 3124V, AMS Neve 1073SPX, Rupert Neve Portico, Audient ASP880, Chameleon Labs 7622, API 2500 Stereo Bus Compressor, Universal Audio 1176, 2x Empirical Labs Distressors, Neumann U 87, 2x AKG 414, AKG D12 kick-drum mic, Royer R-121 ribbon mic, Lawson L251/L47 Tube/FET Combo, Avantone CV12, Lewitt Beat Kit Pro 7, Electro-Voice RE20, Shure SM58, Shure SM57, Fender Deluxe Reverb, JP Le Roux The Still, Roland Cube 40, Native Instruments Maschine Studio, Omnisphere 2, Trillian, Stylus RMX, Keyscape, Native Instruments Komplete 12 Ultimate, Output (Total Bundle), LA Drama Drums, LASS Lite, Orchestral Essentials, Toontrack Superior Drummer 2 (with multiple Expansion Packs), UAD-powered plug-ins, iZotope Production Suite, Soundtoys, Fab Filter (Mixing and Custom bundle), Slate Digital, Steven Slate Trigger, Metric Halo Production Suite, Seventh Heaven Pro reverb, Altiverb.After all the work and preparations, there is always one variable that no artist can control: the weather. The more you can trust what you’re hearing, the faster you’ll be able to mix. ![]() Pay a lot of attention to room treatment and tame those bumps and nulls. Any advice for someone who’s starting to build a studio? So, check them out and see what they can do for whatever you’re working on. There are so many plug-ins that come with DAWs now. Always keep learning, investigating and try different things. Just figure it out and learn in the process. What’s your top piece of production advice?ĭon’t waste time wondering how someone did something intriguing on a record.
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